New Constellations Magazine
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ISSUE ONE

SUMMER 2021
Dark blue and white magazine cover reads

"The Memory Project: A Girl from India" by Anna Crumrine

8/12/2021

 
FEATURED VISUAL ART
Painting of an Indian girl wearing a dark blue shirt, on a yellow paisley background.

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Letter from the Editor

8/12/2021

 
“Fix your course on a star and you'll navigate any storm.” – Leonardo da Vinci

It seems appropriate that our first issue of New Constellations is being launched during a period of long-standing unease. As of August 2021, we are still very much embroiled in the COVID-19 pandemic, which sixteen months prior turned life as we knew it upside down. For over a year, we have been learning and working in a virtual world to minimize human contact and slow the virus’s spread. Social distancing and masks were our best—and for a time, only—weapons of defense against this worldwide health crisis that to date has claimed more than four million lives. 

In early 2021, our frustration and despair over whether we would ever return to a state of normalcy was replaced with cautious optimism as the first batches of the Pfizer and then Moderna vaccines were rolled out. Case rates declined as vaccination rates rose, and by June, mask mandates in most states had been lifted. Businesses reopened, workers returned to their job sites, and teachers began preparations to welcome students back on campus and in the classroom. 

It appeared that we were finally winning the fight against the pandemic. 
 

But with the recent case spike of a new Delta variant and corresponding decrease in vaccinations, public sentiment has shifted from triumph to trepidation. Even now, as the new school year approaches, administrators, teachers, parents, and students remain skeptical about whether public health and safety can be maintained under present conditions.

These past eighteen months have been marred by tragedy and suffering beyond the scope of COVID-19. The murders of George Floyd, Breonna Taylor, and countless other citizens by law enforcement officials have shone a harsh spotlight on the persistence of deep-seated racism in the US legal system. Raging wildfires in Australia and western Canada and the US serve as stark reminders of the consequences of resource exploitation and pollution. The political insurrection that took place in Washington, D.C., on January 6, 2021, pushed an election process that had previously effected peaceful transitions of leadership to its breaking point. 

In a world that desperately needs solidarity and vision, many of us feel isolated and blind. Like ships drifting in the darkness without the sun’s position against the horizon for guidance, we feel ourselves at the mercy of the tide, unable to plot our paths or determine which direction we should head. To navigate the open seas at night, sailors without charts or maps relied upon the stars to guide them. Using a sextant, a savvy navigator would measure a star’s angle against another celestial object to calculate the ship’s nautical position. The most commonly used constellations for navigation are Ursa Minor (a.k.a. “The Little Dipper”) and the Southern Cross, though sailors have learned to use other constellations visible at different times of the year. Even today NASA personnel employ celestial navigation for not only nautical purposes but space flight as well. For them and the intrepid astronauts they guide into the vast outreaches of space, constellations provide that much needed beacon of familiarity to lead them into the unfamiliar.

Constellations don’t have to be stars. They can be anything that allays our troubled thinking and gives us direction and purpose. They pierce the darkness, whether that darkness is literal, like a moonless night, or metaphorical, such as a society mired in anguish.

Constellations can thus take any form, from scatterings of stars to flashes of artistic brilliance.  

And it is these flashes of brilliance—specifically, the poems, stories, essays, paintings, and photographs contained in this inaugural issue—that have the power to illuminate, to guide readers through our dark present.

This volume begins with Byron López Ellington’s eloquent and incisive poem “Privileges Upon Unprivileges,” which examines the confusion and anxiety of one’s heightened awareness of their socially-imposed identity. Themes of longing, loneliness, and lack of human understanding are intrepidly explored in Pepa Peeters’ poem “Osmosis” and Hannah Shane’s and Ann Tai’s short stories “Five Funerals” and “The Aquarium,” with each writer’s concise style conveying the stark pain of truncated life and unrequited love. Kayla Merchiore’s poems “Glass of Rosé'' and “Just a Piece of Paper” and Mary-Kate McCann’s essay “Up Close” objectify similar themes of separation, admiration, and longing through concrete images such as a piece of paper or a studied flower. Through fresh and well-chosen metaphors, the poems “Memories of the Cicadas” by Paloma Lenz, “Arrested Decay” by Nicole Sensenbach, and “Cracks” by Ann Tai address the consequences of our displacement of nature and poor stewardship of the planet.

Like invisible lines connecting one star to the next to give the constellation its shape, the stunning artworks chosen for this volume join each written piece’s thematic contents and literary elements. While Maggie Gamson’s artwork “Visions of Home” depicts Earth’s state from a distance, the paintings “Ambialet” by Julia Chmielowiec, “Cerulean Summer” by Megan Freidhof, and “Growth” by Lauren Hutt focus on specific pockets of our planet’s dwindling unsullied beauty. Samuel Bumbarger’s and Kaitlyn Farber’s photographs “The Kilns” and “The Wolves Are Out to Play” likewise capture this tension between the natural and the manufactured, humanness and humanity. Our selected cover image, “The Memory Project: A Girl from India” by Anna Crumrine, presents through vivid colors and nuanced lines and curves one such face of humanity and its struggle for recognition, understanding, and dignity. 

Together these pieces form the first of what we hope will be many constellations through which we might navigate unfamiliar waters. They offer an arrow-like beacon of truth cutting through the darkness and chaos, pointing us towards some distant shoreline where the crises we now face have been resolved through informed decision-making and wise action. 

Please enjoy these first stars.

- Dr. Brennan Thomas, Faculty Advisor
Picture

“Privileges Upon Unprivileges” by Byron López Ellington

8/12/2021

 
POETRY
It’s a balancing act,
to know one’s own privilege
and unprivilege too.

Soy mestizo, un descendiente
de los colonizadores
y los colonizados.​

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"Visions of Home" by Maggie Gamson

8/12/2021

 
VISUAL ART
Close-up photograph of eye with planet Earth replacing the iris

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"Ambialet" by Julia Chmielowiec

8/12/2021

 
VISUAL ART
Picture

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“Osmosis” by Pepa Peeters

8/12/2021

 
POETRY
pain pierces through blood,
seeps through meadows 
between us, 
fog clogs 
our partially permeable membrane.

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"The Aquarium" by Ann Tai

8/12/2021

 
FICTION
​As I stepped into the aquarium, the cool air enveloped me like a current. Blurred, shadowy crowds paid respect to the stained glass worlds with irreverent murmurs and voiceless awe. They stopped to peer into a miniature world, then moved on to another, ebbing and flowing at a leisurely pace. They stagnantly pooled around the centerpiece of the aquarium.

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"Cerulean Summer" by Megan Freidhof

8/12/2021

 
VISUAL ART
Photograph of abstract painting on a wall; painting is blue, green, yellow, and shimmering gold splotches of color; it hangs next to a guitar over a desk with similarly-colored books

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“Memories of the Cicadas” by Paloma Lenz

8/12/2021

 
POETRY
The metallic wail of summer 
carries through sweltering nights, 
scattered by faint breezes 
among the swirling mosaic of stars.

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“Arrested Decay” by Nicole Sensenbach

8/12/2021

 
POETRY
The house wants to lean.
It wants to sway and creak in the wild wind.
It wants its wooden shingles to fold and buckle,
fall like brittle crackers to the ground which will soon chew and swallow
them, along with peeling flecks of paint
like flakes of salt.

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"The Kilns" by Samuel Bumbarger

8/12/2021

 
VISUAL ART
Photograph of 6 old stone archways receding in distance on cracked concrete, with sunlit fall forest behind

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"Cracks" by Ann Tai

8/12/2021

 
POETRY
All these concrete fields
Where do we sow tomorrow?
In thin sidewalk cracks

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"Growth" by Lauren Hutt

8/12/2021

 
VISUAL ART
Abstract painting with blue and orange butterflies, a teal and green background, and orange outline of body in background

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“Glass of Rosé” by Kayla Merchiore

8/12/2021

 
POETRY
How the sea mists your rose tinted skin, 
Dripping in strawberry vinaigrette. 
The sun lights ambers in your eyes; 
They’re fixed on another glass of rosé 
Not the heaping bundles of roses, 
Thrown your way by sheer, blind lust. 
Just an image in rose quartz, 
The most desirable figure 
In the blushing dewy glass. 
It is the very eyes of the beholder.

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"Up Close" by Mary-Kate McCann

8/12/2021

 
NONFICTION
Flowers: the prototype of beauty, love, and life, but how closely do we ever look at them? Once, I put a flower to my face and studied it closer than I have ever studied a flower before. Seeing it this way, delicate patterns and arrangements came into view that would never have been apparent from afar. There were even patterns within patterns. Looking up close, whatever beauty I first noticed became doubled or tripled. After this, I wondered if the same phenomenon could be true with any object, and so I began experimenting. I moved on to stones, spoons, blankets, my hands, the moon…and I was amazed at how wonderful they became up close under bright light.

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"Just a Piece of Paper" by Kayla Merchiore

8/12/2021

 
POETRY
​I shouldn’t keep this note; 
It’s just a piece of paper. 
It’s crumpled and faded, and torn.
Why can’t I clench it in my fist? 

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“The Wolves Are Out to Play” by Kaitlyn Farber

8/12/2021

 
VISUAL ART
Photograph of full moon against black night sky

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"Five Funerals" by Hannah Shane

8/12/2021

 
FICTION
​​​I’ve been to five funerals since I died.

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    Issue One
    ​Summer 2021

    Featuring work by nine high school students all the way from Texas to Spain, as well as the work of six students at Saint Francis University.

    Categories

    All
    Fiction
    Nonfiction
    Poetry
    Red Flash Feature
    Visual Art

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